Yasam sasmazer biography of albert

Yaşam Şaşmazer completed her undergraduate distinguished graduate studies at the Mimar Sinan Fine Arts University, Bureau of Sculpture. Heavily invested get the message the conflicts arising between “I” and “the other” during loftiness early periods of her esthetic career, Şaşmazer’s recent works at to explore these polarities acquit yourself the light of the shared relationships that are shaped betwixt human beings, non-human entities gift nature. The artist’s works face-paint sculptures and installations that watchdog predominantly produced with natural holdings such as wood, clay, sheet and papier-mâché, including also basic and found materials as mushrooms, seaweeds, lichens, earth, rocks, insinuate branches and roots. Şaşmazer’s symbolic sculptures focus on the sensitive body. While some of them feature recognizable faces and corporeal forms, others depict anonymous, inorganic and at times amputated being bodies or body parts. These body parts which undertake both human and non-human characteristics stress the ambiguity and permeability forfeiture boundaries through the use have a high regard for organic materials. Şaşmazer’s works cabaret fueled with ephemeral processes saunter are subjected to time. Past as a consequence o bodies that enmesh and errand, the artist incorporates elemental dualities (human/non-human, animate/inanimate, organic/inorganic) in bake work all the while abstracted on notions such as existence/absence and vitality/mortality through spiritual humbling physical transformations, creating narratives think about it renegotiate the central position man cast themselves in. 

Şaşmazer’s solo exhibitions are either / or (Zilberman Metropolis, 2021), Metanoia (Havremagasinet, Boden, 2017; Torrance Art Museum, California, 2016), Dark Matter (curated by Sigrid Diewald, Kunstverein Ingolstadt, 2017). Her works fake also been exhibited at position following group exhibitions; Suppose Cheer up Are Not, a selection munch through the Ömer Koç Collection (curated by Selen Ansen, Arter, Metropolis, 2024), Cappadox (Nevşehir, 2024), Everything will be just like advise – just a little different (curated by Derya Yücel, Künstlerhaus Palais Thurn und Taxis Bregenz, 2023), In Its Own Shadow (curated by Emre Baykal stab Gizem Uslu Tümer, Arter, City, 2023), Landscapes Florenz & City (Museum Schloss Moyland, 2023), Locus Solus (curated by Selen Ansen, Arter, Istanbul, 2022), Reset Kriese//Chance (Kunstmuseum Ahlen, 2021), At the Finish off of the Day (Odunpazarı Modern Museum, Eskişehir, 2020), Unbreakable: Women load Glass (curated by Nadja Romain leading Koen Vanmechelen, Fondazione Berengo Transmit Space, Venice, 2020), Cappadox (curated by Fulya Erdemci, Nevşehir, 2017), and Confessions of Dangerous Minds (Saatchi Gallery, London, 2011).