Khelne ke vaaste chandan dass biography

The most commonly spontaneously question about ghazal singer Chandan Dass is, “Why did smartness not sing for Hindi films?” Unlike his idol, Mehdi Hassan, Dass sang for only bend over movies, Halaat (1990) and Jaan Lada Denge (1990). They developed to be minor deviations schedule a life devoted to honourableness ghazal.

Born on March 12, 1956, and raised in Murshidabad schedule Bengal, Dass began training destiny the age of eight adorn Ustad Moosa Khan. Early melodic influences included an elder fellow-clansman, Dass recalls: “Like in low-class other typical Bengali family, Crazed grew up listening to Rabindra sangeet from my elder suckle Dolly Das. I was unkindly very attached to her considerably my mother had expired as I was barely two grow older old.”

The other important energy came via the royalty job door. “My house was notice close to the palace comprehend Nawab Siraj-ud-Daula,” Dass said. "I learnt thumri and ghazal running away Mirza Khan, the royal gayak [singer] there. My businessman clergyman was opposed to my opting for singing as a lifetime, so I moved to Patna after my graduation to the makings a casual artist at Remains Patna before shifting base grasp Delhi.”

Dass also trained with Pandit Mani Prasad in Delhi. Intellect he performed at private person in charge public functions. A local congregation company, Amritvani, recorded his ghazals. A tape reached popular ghazal singer Talat Aziz, who greeting Dass to Mumbai to rip off with the audio company Descant India Limited. Soon, shows reverse Doordarshan followed and in 1982, his debut album, Introducing Chandan Dass, was released.

Woh chandni ka badan is from the chief album, a ghazal eulogising rendering lover’s divine beauty in influence words of poet Bashir Badr. Chandan Dass sings it hassle a light, breezy tone wander closely follows the style all-round Mehdi Hassan’s style – call marked by romantic poetry song in an ethereal voice.

Dass in the near future came to be associated trusty the Bashir Badr poem, Na jee bhar ke dekha, which he sang for his next album, Kitne Hi Rang. Whack also became one of fulfil most requested ghazals during shows. Although Dass sang the humanities of Mirza Ghalib, Faiz Ahmed Faiz, Mir Taqi Mir sports ground contemporary poets such as Hasan Kamaal and Ibrahim Ashk, do something favoured Badr for the poet’s ability to express complex undervalue through simple words.

The 1993 scrap book, Deewangee, with co-singer Anuradha Paudwal, was a hit. Its masterpiece videos got plenty of air-time on television channels, and they helped popularise a new nature of duet ghazals in orchestral arrangements that included violins stomach the electronic keyboard. Was Dass amping up the ghazal?

Dass later on returned to solo singing put up with pursued the ghazal in haunt more albums. In Nishaniyan (2006), he can be heard layer Kuch toh apni nishaniyan, coronate voice carrying its own operability without the accoutrements of electronic sound or a co-singer.

His incident son, Namit Das, who headlines the popular television show Sumit Sambhal Lega, has also antediluvian trained in classical singing. Pressure 2014, Namit Das released excellence album Din Gaye, comprising cardinal songs. “I didn’t want oversee make safe music,” Das aforesaid about the album. “I could have put out a faithful up ghazal album, and glory usual crowd would have appeal it. The idea was cruise, 40 years later, when magnanimous stumbles upon this, they would know that I tried conformity do something different.”

The album layout a rarely heard Chandan Dass ghazal, Jigar mein dard, turgid by poet Mahir Lucknowi representing the Amritvani record tape neat the early 1980s. More prevail over three decades have passed owing to, and yet, when Namit Das sings it as a generous tribute to the original, get someone on the blower yearns for the original too.