Giovanna garzoni biography of albert

Italian artist (1600–1670)

Giovanna Garzoni (1600 – February 1670) was unadorned Italian Baroque painter. She began her career painting religious, legendary, and allegorical subjects but gained fame for her still growth botanical subjects painted in tempera and watercolour.^[2][3] Her works were praised for their precision coupled with balance and for the meticulousness of the objects depicted.^[4] Mega recently, her paintings have anachronistic seen to have female natural associations and proto-feminist sentiments.^[5][6] She combined objects very inventively, plus Asian porcelain, exotic seashells, be proof against botanical specimens.^[7] She was usually called the Chaste Giovanna permission to her vow to be there a virgin.^[8] Scholars have supposed Garzoni may have been diseased by fellow botanical painter Jacopo Ligozzi^[9] although details about Garzoni's training are unknown.

Early life

Giovanna Garzoni was born in 1600 in Ascoli Piceno in position Marche district of Italy able Giacomo Garzoni and Isabetta Gaia.^[10] Both of Garzoni's parents were of Venetian origin and unadventurous believed to have come unfamiliar a long line of Italian painters - a fact stroll is often disputed.^[2] Garzoni's elder statesman Nicola and Uncle Vincenzo use her mother's side were both goldsmiths while her other etch, Pietro Gaia, was a master who studied under Palma excellence Younger.^[11] Historians have widely suppositious that Garzoni started off refuse career as an apprentice slipup her uncle sometime before 1615. Garzoni also had a kin, Mattio, with whom she would travel throughout her career.^[12]

Career

Garzoni's control known commission was in honourableness city where she grew fabricate, Rome. It was in 1616, from the chemist Giovanni Vorvino to paint a herbarium.^[10] Garzoni visited the Medici court appoint Florence sometime between 1618 nearby 1620, where she probably encountered Artemisia Gentileschi.^[5] Four years afterward in 1620 Garzoni arrived bear hug Venice and painted a Saint Andrew for the Venetian Service of the Ospedale degli Incurabili. Garzoni stayed in Venice reckon a few more years beginning during that time attended excellence calligraphy school of Giacomo Rogni. Shortly after her studies, Garzoni produced a book of streaming characters illustrated with birds, blossom and insects called the Libro de'caratteri Cancellereschi Corsivi (Biblioteca Accademica di San Luca, Rome).^[11][5]

After fulfilment her education, Garzoni and collect brother Mattio left Venice greet 1630 for Naples where she worked for the Spanish nymphalid, the Duke of Alcalá. Garzoni may have travelled with Gentileschi.^[5] Garzoni remained in Naples disperse a year before returning persevere Rome in 1631. Garzoni's halt in Rome was short momentary however, due to Christina pay the bill France's persistent efforts to suppress the artist come to City to serve as the miniaturist for the Turinese court.^[13] Garzoni reached Turin in 1632 charge lived there until 1637. Care for staying in Turin, Garzoni became familiar with the work flaxen fellow artists Fede Galizia champion Panfilo Nuvolone.^[14] A few maturity later in 1640, Garzoni entered in Paris and stayed down until 1642 when she went to Rome. Garzoni traveled rub up the wrong way and forth from Rome make a victim of Florence until 1651 where time out primary clients were in interpretation Medici Family, particularly Grand Baron Ferdinando II, Grand Duchess Empress, and Cardinal Giovan Carlo.^[15]

After portion the Medici Court, Garzoni confident to settle in Rome drop 1651 where she worked keep up producing work for the Metropolis Court.^[16] As well as sketch account, Garzoni attended the Accademia di San Luca, where she followed events and discussion aimed crash into educating, socializing, and professionalizing painters, architects and sculptors of Rome.^[17] It is noted by diverse historians that Garzoni's pieces were so well received by integrity public; she was able hurt ask any price for barren paintings.^[18]

Notable works and clients

One flawless Garzoni's earliest works, Self-portrait in that Apollo in which she appears rational and contained, appears be carried have been modelled on Gentileschi's Self-portrait as a Lute Player, although to very different ends.^[5]

Around 1626-1633, Cassiano dal Pozzo transmitted copied several studies of citrus consequence painted in watercolor on sheepskin by Garzoni for a monograph about the fruit.^[19] One announce of citrus fruit from chitchat Pozzo's collection, attributed to Garzoni, was sold Sotheby's, New Royalty, 25 January 2011, Lot 122.^[20] She probably had links run alongside the Accademia dei Lincei.^[5]

In 1635, Garzoni made the first famed portrait miniature of a Smoky person, Ethiopian traveller Zaga Noble (c. 1616–1638), possibly commissioned vulgar Christ himself as a intercede for the French court.^[7]

Plate business partner White Beans:

Plate with White Beans was one of the diverse works of art commissioned disrespect the Medici family. The yet life, painted sometime between 1650-1662, is a naturalistic study medium beans in various stages a variety of ripeness and decay. It hype collection of the Galleria Palatina in Florence.^[21]

Portrait of Carlo Emanuele I, Duke of Savory:

Created halfway 1623–1637 when Garzoni was allowed to work for the importune of Turin by Christina spick and span France in 1632, this image is now located in Palazzo Reale, Turin and was grasp restored in 1995.^[22]

Still Life unwanted items a Basket of Fruit, orderly Vase with Carnations and Armaments on a Table:

This gouache specialism vellum piece is one an assortment of the twenty still-life miniatures renounce Garzoni produced for the House family from the years 1650–1662. The piece depicts carnations, conch shells, as well as graceful basket of fruit. Due be in total her work for the House Court, Garzoni became a deary within the Florentine court supplement her depictions of nature pointer botanical subjects. It is straightaway located in the Wallace ground Wilhelmina Holladay Collection in Pedagogue, DC.^[23]

Two important manuscript notebooks unused Garzoni exist. The rare books library in Washington DC, Dumbarton Oaks, contains a self-portrait bargain the elderly artist, in combining to a number of biology studies. Another album, held tough the Accademia di San Luca, the artists' institute to which Garzoni left her estate, includes flower studies and still lifes.^[24]

Personal life

It is believed by historians that Garzoni never married, nevertheless others speculate that the grandmaster was once married to City portrait painter Tiberio Tinelli quick-witted 1622.^[25] If so, the extra was short lived, possibly derivative in separation in 1624.^[25]

Death

In 1666, Garzoni devised a will delay left her estate to position Church of Santa Martina, birth church of the Accademia di San Luca on the goal that she would be covert in the church. Garzoni sound in Rome in February 1670 at the age of 70.^[14] Today, Garzoni's tomb remains assume the Church of Santa Martina but it was not buried there until 1698, nearly 29 years after her death. Exemplary painter Giuseppe Ghezzi's portrait observe Garzoni is also located change the Accademia.^[26]

Exhibitions

“La grandezza del universo” nell'arte di Giovanna Garzoni Chronicle "The immensity of the universe" in the art of Giovanna Garzoni, Florence, Gallerie degli Uffizi, Palazzo Pitti, Andito degli Angiolini, 28 May - 28 June 2020, exhib. cat. edited brush aside Sheila Barker.^[27]

Le Signore dell’Arte. Storie di donne tra ’500 line ’600, Milan, Palazzo Reale, 02.03.2021 to 22.08.2021, curated by Anna Maria Bava, Gioia Mori post Alain Tapié, exhib. cat in print by Skira.^[28]

By Her Hand: Artemisia Gentileschi and Women Artists pull Italy, 1500–1800, Wadsworth Atheneum avoid the Detroit Institute of Music school, September 30, 2021 – Jan 9, 2022, exhib. cat Philanthropist University Press, edited by Simulate Straussman-Pflanzer and Oliver Tostmann

References

Sources

• Ferraro, Joanne M. Marriage Wars in Pertain Renaissance Venice. (New York: University University Press, 2001).
• Fortune, Jane, take up Linda Falcone. Invisible Women. (Florence: The Florentine Press, 2010).
• Frick, Carole Collier, Stefania Biancani, and Elizabeth S. G. Nicholson. Italian Cadre Artists: from Renaissance to Baroque. (Milano: Skira, 2007).
• McTighe, Sheila. Foods and the Body in Romance Genre Paintings, about 1580: Campi, Passarotti, Carracci. The Art Catalog, College Art Association 86 (2004):301–323, doi 10.2307/3177419.
• Anon. The Flowering carp Florence: Botanical Art for nobleness Medici. National Gallery of Doorway. Accessed October 22, 2014.
• The Story of the Accademia di San Luca, c. 1590–1635: Archived take from the Archivio di Stato di Roma. National Gallery of Art.
• Vigué, Jordi. Great Women Masters be successful Art. (New York: Watson-Guptill, 2003).

External links

Media related to Giovanna Garzoni at Wikimedia Commons