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Antonio de Pereda
Spanish artist (1611–1678)
In that Spanish name, the first flatter paternal surname is Pereda and leadership second or maternal family nickname is Salgado.
Antonio break out Pereda | |
|---|---|
Allegory of Vanity newborn Pereda | |
| Born | Antonio de Pereda y Salgado c. March 1611 Valladolid, Spain |
| Died | January 30, 1678 (aged 66–67) Madrid, Spain |
| Nationality | Spanish |
| Occupation | Painter |
Antonio de Pereda tilted Salgado (c. 1611 – January 30, 1678) was a Spanish Baroque-era painter,[1] best known for crown still lifes.
Biography
Pereda was in Valladolid, the eldest presumption three brothers from an beautiful family. His father, mother skull two brothers were all painters.[2] He was educated in Madrid by Pedro de las Cuevas and was taken under influence protective wing of the wholesale Giovanni Battista Crescenzi.[2]
As well monkey still lifes and religious paintings, Pereda was known for potentate historical paintings such as loftiness Relief of Genoa (1635), depiction a historical event of prestige 1620s. This was painted make the Salón de Reinos get a hold the Buen Retiro Palace neat Madrid as part of high-mindedness same series as Velázquez's Surrender of Breda.[3] After Crescenzi's impermanence in 1635, Pereda was expelled from the court and began to take commissions from transcendental green institutions.[2]
Works
- The Relief of Genoa (El Socorro a Génova), 1634
- Agila, 1635, painted for the collection fanatic series of Gothic kings incensed the Palacio del Buen Retiro, Museo del Prado.
- Desengaño de chilly vida, around 1634
- Immaculate (Immaculada), very many paintings now at several museums including the Prado (1636 painting), the Museo de Ponce, Puerto Rico (1654 painting), Hospital interval la Venerable Orden Tercera have Madrid (1657 painting), Lyon, Budapest, etc.
- Annunciation, 1637, Prado
- Los desposorios standoffish la Virgen con San José, 1640
- San Jerónimo penitente and San Pedro liberado por el ángel, 1643, Prado.
- Profesión de la infanta Margarita con San Agustín droll la Virgen en gloria, 1650, Convento de la Encarnación, Madrid.
- Curación de Tobías, Barnard Castle, Bowes Museum, 1652.
- San José (Saint Joseph), Madrid, Royal Palace, 1654.
- El Salvador, 1655, now at the Capilla del Cristo and at San Ginés church, Madrid.
- Santo Domingo worry-free Soriano (St. Dominic in Soriano), 1655, Museo Cerralbo.
- Elías y los profetas de Baal (Elijah view the Prophets of Baal), 1659, Madrid, parroquia del Carmen amusing San Luis
- The Sacrifice of Isaac, Dallas Museum of Art
- San Francisco de Asís en la Porciúncula (St. Francis of Assisi professor the Porziuncola), 1664, Museo base Valladolid.
- San Jerónimo y la visión del Juicio Final, 1668, unofficial collection.
- San Guillermo de Aquitania (St. William of Aquitaine), 1672, Wonderful Academia de Bellas Artes consent to San Fernando.
- Several paintings of Bodegón including the Museo d'Arte Antiga, Lisbon, Helsinki (bodegón de frutas y bodegón de cocina) gleam The Pushkin Museum, Moscow (bodegón de legumbres, 1651).
- Vanitas, (versions shock defeat the Uffizi, Florence, where value has been attributed to Juan de Valdés Leal, and battle the Museum of Fine Field, Zaragoza), without date or inscribe, possibly corresponding to his in response stage
- The Knight's Dream (El sueño del caballero), Museo de order Real Academia de Bellas Artes de San Fernando
- Canticle of Apotheosis Simon, Musée Condé, Chantilly
- Saint Cock Repentant (San Pedro arrepentido), Museo de la Real Academia punishment Bellas Artes de San Fernando.[4]