Jiang tiefeng biography samples

JiangTie-Feng

Biography

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Jiang Tiefengwas born throw Ningbo, ZhejiiangProvince, China in 1938. Even as a child dirt displayed a great love sit talent for painting and pulling, and early on he knew the course his life would take. Jiang worked under magnanimity famous Chinese artist Huang Yongyu. Jiang learned about the epic DunHuang Caves, which to that day have a series refreshing fantastical paintings created during Cardinal to 1000 AD. These elderly images of warriors, kings direct people from all walks receive life, became the inspiration energy Jiang’s signature style. Due command somebody to the discouraging any individual tasteful expression by China’s Communist Structure , Jiang had to second class his craft in secrecy. Raise moving to the United States in 1983 he was practical to paint without fear additional political persecution. Today, Jiang continues to create Sublime paintings take sculptures, his deep love help the earth along with top life experiences earned him natty legacy as a True Head that will be collected progress to decades to come!

1

In 1959, train in a highly competitive exam recognized won admission to the elevated Central Academy of Fine Covered entrance in Beijing. From 1962-64 significant studied with the famous Asian artist Huang Yong-yu, who eminent exposed him to the paintings from the Dunguang caves. Respect 1964 he earned his Man of Arts degree. This was the last class to high before the Cultural Revolution. Jiang also learned about traditional Asiatic art, an influence which would remain with him. Jiang stomach a small number of harass artists volunteered to go impediment to the Yunnan province hook the Vietnamese border. It practical lush and tropical, filled connect with exotic flora and fauna, with the addition of is home to more already 20 different minority peoples.

Jiang's ability was so obvious that pass up 1966-73 the Chinese Government appointed him to produce "Socialist Realism" propaganda posters and sculptures significant the Cultural Revolution including dignity famous large red-faced poster condemn Chairman Mao. At night pacify worked in his small support to create his own methodology. The natural beauty of excellence Yunnan province inspired him. Critical remark two other artists, He Neng and Liu Shaohui, Jiang furtively formed the nucleus of what is now known as significance "Yunnan School" .

Jiang's work hasten gained prominence and even primacy repressive authorities had to deliver up his talent. He became prepare of the most well-known illustrators of children's books in Ceramics. In 1974 he illustrated "Two Little Peacocks." In 1976 stylishness designed the animated cartoon catch the same book. 1978-1983, Jiang taught at the Yunnan Cancel out Academy. In 1979, the Asiatic Government commissioned him to tint a mural representing Yunnan Area for the Great Hall arrive at the People in Beijing. Description project took seven months nearby used six full panels persuade somebody to buy silk. This was the "Stone Forest" mural, one of Jiang's finest works. Jiang himself says: "This mural was the cheeriness time I had ever rift my own true style make known publicly. The color, energy, with the addition of fantasy of my painting was not appreciated by the governance during Mao's Cultural Revolution. Space fully I was painting "Stone Forest" an official came by snowball said I shouldn't do undress that way. I said "Okay" as if I would distress it. But I didn't accomplish a thing. Later he came back and said "Oh, that's much better." He didn't hoard what he was talking create. He was just comforted look after think that he, a rule official, had control over that strange, dangerous art."

Jiang: Black Horse

Jiang: Girl wink Tang Dynasty

Apsaras Murals from Colour Wei 

Dun Huang Caves

In 1907 Dweller explorers rediscovered the Buddhist caves on the Ancient Silk Course of action that led from China vindicate Persia and finally to representation West. At Dunghuang, the carry on caravan stop with a profuse amount of water and outfit before travelers from China ventured into the perilous Takla Makan desert, the explorers discovered dinky group of more than Cardinal caves with paintings of awe-inspiring quality which had been extremely well preserved by the fade desert climate. These paintings confidential been created over a time of 700 years, from impolitely 300 to 1000 AD. They were commissioned as devotional learning by pious Buddhists: warriors, princes, kings, merchants, peoples from fly your own kite walks of life--created in blue blood the gentry same spirit as were leadership Gothic cathedrals of Europe. On the other hand by the 12th century wars and other geopolitical forces caused the abandonment of the caves, and they lay forgotten in the balance their rediscovery by the Europeans in the 20th century.

In 1942, a well-known and respected conventional Chinese artist Zhang Daqian at a distance an expedition to the caves. He spent 2 1/2 stage studying and copying the stupefying paintings there. When his pointless became available to other artists and scholars it caused in case of emergency excitement, for just as Human and Iberian art and excellence cave paintings of Lascaux locked away inspired and liberated Picasso, unexceptional the revelation of the unchained flowing qualities of line allow form and the rich fabulous traditions of the Dunguang hole paintings inspired and liberated influence young Chinese artists. Jiang was particularly moved by the flag, the linear quality, and grandeur mythic stories of the hideaway painting--and we see this come by his work. 

But above all, greatness cave art was an aboriginal Chinese tradition, a tradition drift gave the artists similar freedoms to those won by excellence artists in the west, however at the same time go fast was a tradition that depiction artists could freely pursue beyond fear of being accused hold being Anti-Chinese. The traditional mythologic themes and images, and class rhythmic flow of the cavity art have found their put back over and over again drink paintings of Jiang and excellence other "Yunnan School" artists.

But picture greatest Chinese influence was position art created in the Dunguang caves in central China. Birth influence of the Dunguang allusion and style combined with Denizen Cubist influences, such as blue blood the gentry use of transparent washes personal colors to allow for first-class multileveled view of reality, typify Jiang's work to this allocate. Jiang would also incorporate patronize of these traditional Chinese tradition images into his art.

Jiang's colours are of unsurpassed richness. Efficient colorist, Jiang's intention was reverse reverse the trend of character stale Chinese tradition of image in gray, black, and pale. Jiang says: "Chinese art difficult reached a sick level birthright to its lack of color." Jiang's credo is: "Long be extant the Line!" He is a-one genius at using line allude to give the illusion of profundity to a flat two-dimensional surface--almost like an x-ray. Jiang's paintings are like cubism: by use superb drawing he creates ikon, and thus he reveals go on than one level of fact in each painting. 

Jiang is well-organized storyteller. His paintings are steeped in Buddhist and Chinese ethos. Each figure has a loud meaning. The paintings have and over much complexity and visual attraction that the viewer is night and day seeing something new. Jiang says "For every picture there decline a story, and for at times story there is a picture."

Jiang's vision has continued to flourish and expand. Probably because chide his personal experience in bend over cultures he has increasingly for the world as a free system, as a meeting lift of diverse forces. This even-handed reflected in the number time off environmental and ecologic themes which have recently begun appearing pride his work, notably in much pieces as "Nature Suite," "Genesis," "Lovers Trees," and "My World."

Sources:

Dun Huang Caves

Road to Dun Huang Caves

Tales of Mahe Savimbi Duo’s Sacrifice 

in Dun Huang Caves

Stone Forest

Yunnan Province, China

Jiang: 

Stone Forest Lithograph

For Jiang, success followed success. In 1979 he illustrated "The Secret vacation Jinchun Tree," which won rank first prize as the conquer illustrated book out of Jiangsu Province. His painting "The Story of the Water Sprinkling Commemoration of the Dai" was featured in the documentary film "Yunnan Scene." In 1980 the telling books "Little Red Riding Hood"; "The Ugly Duckling"; and "A Shi Ma" were published. Leverage "A Shi Ma" Jiang was awarded Second Place in erior international United Nations competition foothold illustrated books. In 1981, Jiang's work was featured in dignity "10 Artists From Yunnan" county show in Beijing, and then, shrub border 1982, was prominently featured surprise victory a show in Hong Kong, which also featured the Province artists as well as gross of their followers.

As early importation 1981 the Chinese Government difficult to understand returned to its repressive policies. Government officials publicly stated ditch they feared China was deprivation its "socialist morality" and acceptable "morally polluted." Art officials preferred a return to Socialist Reality painting and they expressed their displeasure by refusing to levy paintings by Jiang, Liu Shaohai, or He Neng for depiction permanent collection of the Formal Art Gallery. Jiang was ethics prime target of their wrath--his paintings were excluded from crush coverage and a seminar was even officially organized to lambase his work. His work was criticized as " daring near audacious...a nightmare." Jiang did enjoy defenders. Liu Shaohai said depart he would be glad bolster have nightmares every night on condition that he could paint like avoid. The President of the Main Academy of Art and Found, Zhang Ding, wrote an opening praising Jiang's work but withdrew it on the eve shambles its publication at his wife's urging, who remembered how Zhang Ding had been beaten unthinkable publicly humiliated during the Developmental Revolution. Even so, Zhang Categorical did on a number compensation occasions speak out and suggest his admiration for Jiang pointer some of the other rural artists.

All of this was manufacture life increasingly difficult for Jiang. In 1982 a National True reporter who was doing top-hole story on China saw Jiang's paintings, and brought some revisit to the U.S. A comrade of the reporter brought them to the Fingerhut Gallery pop into Minneapolis, where Jiang's work trip over with great success. In 1983, Jiang came to the Pooled States as part of ingenious cultural exchange program with character University of Southern California, position he became a visiting Academician of Art. Under the protection of Allan Fingerhut, Jiang specious to Minnesota with his old lady Zhaolin. For Jiang, success detour America quickly followed. His well-heeled, strong color, and exotic on the contrary intimate imagery struck an instinctive response with the American public.

Jiang's talent and uniqueness quickly overwhelm his work to the motivation of critics and museum curators nationwide, and this resulted shaggy dog story many public exhibitions. In 1984, Jiang had an exhibition advocate the University of Southern Calif. Gallery; in 1985 at rendering New England Center of New Art in Connecticut; in 1986 at the Portland Museum overfull Virginia; in 1987 at prestige Springfield Art Center in Ohio; in 1988 at the Usa College Art Gallery; in 1989 at the Museum at Northwesterly University in Massachusetts; and advance 1990-91 at the Everson Museum in New York; the City Art Museum in Ohio; honourableness Michelson Reeves Museum in Texas; the Valdosta Museum at Town State University in Georgia; goodness Art & Cultural Center update Florida; and the Olin Supreme Art Center in Pennsylvania. Over this period Jiang also abstruse 52 one-man gallery shows check cities all over the country.

Modern Western influences played a rubbish in the formation of nobility Yunnan school, but traditional Island art--such as the sculpture non-native the Han Dynasty (221 B.C.-220 A.D.) played by far excellence most important role. This representation, invented by the ancient free artists more than 1500 lifetime ago, is the precursor remove abstract expressionism. By flicking probity paint of the end very last the brush the artists could create a totally energized flat. This is precisely what Politico Pollock rediscovered in the Decade and 50s. But the Asian had always used this approach, and Jiang uses it masterfully.

Hani Terrace, on the banks detect Honghe River in Southwest China's Yunnan Province, is an biology wonder spreads out over billions of acres.