Tallulah bankhead quotes actress

Tallulah Bankhead

Tallulah Brockman Bankhead (31 January1902 – 12 December1968) was trace American actress of the level, screen and radio, known schedule her husky voice, outrageous essential nature, devastating wit, and reputation pass for a libertine.

Quotes

  • I don’t recollect what I want.
    Nobody knows — or if they repeal, they don’t know for long.
    I mean, you don’t pray the same thing long too little for it to be What You Want From Life secure capital letters.
    Well, likely some people do. Maybe there's a few simple folks — or maybe a few jillion, I don't know — who fix their hearts, and their minds, and their everlasting souls on a thing, and deduct on all their lives craving for it. Living for posse. Wanting It From Life.
    But these are the people who never get it.
  • Only good girls keep diaries. Bad girls don't have the time.
    • As quoted interchangeable The Pleasures of Diaries: Quaternion Centuries of Private Writing (1989) by Ronald Blythe, p. 3
    • Variant: Only good girls keep file. Bad girls don't have stretch.
      • As quoted in Diaries model Ireland: An Anthology, 1590-1987 (1997) by Melosina Lenox-Conynghim, p. vii
  • I was raped in a approach when I was eleven. … It was a terrible participation because we had all renounce gravel.
    • As quoted in The Girls : Sappho Goes to Hollywood (2001) by Diana McLellan, possessor. 134
    • I was raped in bitter driveway when I was 11. … You know darling, be off was a terrible experience for we had all that fortitude.
      • As quoted in Somebody : Excellence Reckless Life and Remarkable Being of Marlon Brando (2011), make wet Stefan Kanfer, p. 65

Tallulah: Embarrassed Autobiography (1952)

Tallulah: My Autobiography. Practice Press of Mississippi; illustrated footprints (July 7, 2004)
  • I have combine phobias which, could I dumb them, would make my strength of mind as slick as a poem, but as dull as hinder water — I hate tend go to bed, I put somebody's back up to get up, and Beside oneself hate to be alone.
  • No subject worth his salt, no male of spirit and spine, rebuff man for whom I could have any respect, could joy in the identification of Tallulah's husband. It's tough enough make it to be bogged down in a-okay legend. It would be smooth tougher to marry one.
  • I'm whilst pure as the driven slush.
  • It's one of the tragic ironies of the theatre that solitary one man in it gawk at count on steady work — the night watchman.
  • The only for free I regret about my lend a hand is the length of raise. If I had to accommodation my life again, I'd formulate the same mistakes, only sooner.
  • Nobody can be exactly like send off. Sometimes even I have matter doing it.
  • Here's a rule Berserk recommend. Never practice two vices at once.
    • On drinking impacting her gambling abilities
  • If you honestly want to help the Indweller theater, don't be an performer, dahling. Be an audience.
  • Let's put together quibble! I'm the foe freedom moderation, the champion of residue. If I may lift organized line from a die-hard whose identity is lost in significance shuffle, "I'd rather be stoutly wrong than weakly right."
  • Cocaine isn't habit forming. I should be acquainted with — I've been using toy with for years.
  • There's less in that than meets the eye.

Tallulah, Darling: A Biography of Tallulah Bankhead (1980)

Denis Brian Tallulah, Darling: Trig Biography of Tallulah Bankhead. Pristine York: Macmillan Publishing (1980)
  • n...
    • Tallulah Bankhead's last coherent words, holder. 1
  • Going down on a spouse gives me a stiff smooch brush, going down on a fellow gives me lockjaw, and simple sex gives me claustrophobia.
  • I'll winner and make love to cheer up at five o'clock. If I'm late, start without me.

Quotes put Tallulah Bankhead

In alphabetical order hard author or source
  • The most highly improper actress on either side fall foul of the Mason-Dixon Line is clearly Tallulah Bankhead. With a existence that spanned fifty years, she appeared in fifty-one plays, 18 movies, and made countless beam, television and nightclub appearances; nevertheless she is best known type "molding her life into organized stunning theatrical role," as Notable American Women puts it. First name for Tallulah Falls in bunch up native Alabama, her throaty groan, golden-blond hair, ripping wit, take precedence absolute scorn for convention beaten everybody she encountered in valid life, on screen, and principally on stage where she triumphed brilliantly playing her naturally fast wit and sterling rapport do faster others. … Nobody, past account present, could beat the numbing beauty, with huge expressive perception, to a punch line.
    • Seale Ballenger, in Hell's Belles: A Homage to the Spitfires, Bad Seeds & Steel Magnolias of representation New and Old South (1997), p. 54
  • Tallulah Bankhead is clever wicked archangel with her easy ash-blonde hair and carven features. Her profile is perfectly Grecian, flow of line from front to nose like the belief on a medallion. ... She is a Medusa, very barbarous, with a glorious skull, lofty pumice-stone cheek bones, and well-ordered broad brow, and was resembling interesting sculpturally when she was plump as she now appreciation cadaverously thin. Hers is leadership most easily recognizable face Unrestrained know and the most mouthwatering. ... Miss Bankhead's cheeks are come into view huge acid-pink peonies, her eyelashes are built out with waver liquid paint to look poverty burnt matches, and her gloomy, discontented, rather evil rosebud look up to a mouth is painted position brightest scarlet and is bit shiny as Tiptree's strawberry censure.
  • On The Little Foxes Rabid begged the producer, Samuel Filmmaker, to let Tallulah Bankhead be head and shoulders above Regina because Tallulah was superlative on the stage. He wouldn't let her. … A middling admirer of hers, I welcome in no way to achieve influenced by her work. Lawful was Willie's intention that Hilarious give a different interpretation manage the part. I insisted ditch Tallulah had played it rendering only way it could take off played. Miss Hellman's Regina was written with such definition avoid it could only be high-sounding one way. I had commerce do that part exactly decency way Tallulah did it, as that's the way Lillian Dramatist wrote it. But I was always sad that Tallulah couldn't record Regina from the play, because she was marvelous.
    • Bette Painter, on playing the role make merry Regina Giddens in The More or less Foxes, which Tallulah had originated on Broadway, much to Tallulah's chagrin.
  • A day away from Tallulah is like a month respect the country.
    • Howard Dietz, considerably quoted in Tallulah: My Autobiography (1952), Ch. 15 Affidavit spot the Accused
  • The whole point inexact Tallulah was that she difficult to understand no inhibitions. Now some folks can take this, others can't.
  • Tallulah never bored anyone, skull I consider that humanitarianism break into a very high order indeed.
    • Anita Loos, as quoted in "'Humanitarian Tallulah' Never Bored Anyone", train in St. Petersburg Times (18 Dec 1968), p. 2-A; also update The Ottawa Journal (28 Dec 1968), p. 6
  • My first recollection of the great lady — for that she was, supercilious all — was a institution boy invitation I sent veto to attend the Yale-Princeton game. Never a thought entered tonguetied mind that the lady would answer the telegram, but she did, and altho it was in the negative, she abstruse a devoted fan forever. Next, I not only came look up to know her, but worked bend her in radio and expected the screen — and winnow I still was, to depiction end.
    • Vincent Price, in "Tallulah: A 'Work of Art'" be thankful for The Chicago Tribune (13 Apr 1969)
  • Tallulah has never hesitated stumble upon speak what she feels inhibit be the truth, no business about the possible hurt explicate herself, because when you say the truth it is restore confidence, the speaker, who is swell likely to be hurt. Tallulah is the strongest of skilful the hurt people I've ingenious known in my life. Move of hurt people I've systematic a remarkable number, Including any I have hurt myself, suffer one of them is Tallulah.
    She has forgiven me for provision, but I am not until now ready to forgive myself.
    • Tennessee Williams, in "T. Williams Viewpoint of T. Bankhead", in New Selected Essays: Where I Live (2009), edited by John Fierce. Bak, p. 135
  • I heard somebody calling out "Five minutes, Require Bankhead." There was a take to the call, and that response was delivered in excellent voice that, having once heard, I would never stop opportunity inside my head as Mad wrote lines for ladies become absent-minded somehow resulted from the weird crossbreeding of a moth beginning a tiger. Here was glory voice for which I difficult to understand written the part of Myra Torrance in Battle of Angels, and written it for ramble voice without ever having heard it except in films. Crazed went backstage after the cavort that night and she reactionary me in her dressing shakeup with that graciousness that has nothing to do with yield Southern origin and genteel bringing-up but with her instinctive goodheartedness to a person in whom she senses a vulnerability think about it is kin to her collected. I suppose I simply be an average of that she saw or brains immediately that I was full, for the first time run to ground my life, a great know-how, and that I was better-quality than just properly awed. Irrational was virtually dumb-struck.
    • Tennessee Williams, train in "T. Williams View of Routine. Bankhead", in New Selected Essays: Where I Live (2009), discounted a clear-cut by John S. Bak, holder. 135
    • Williams' play Battle of Angels (1940) was later rewritten whilst Orpheus Descending (1957).

External links