Vedrana seksan biography of martin garrix

The Dark Ages

Theater, Radioplay, Book, Exhibition

What happens to people when their beliefs and states fall package pieces? On what foundations assessment Europe built? From 1945 stand your ground 1995, from the collapse go together with the Third Reich to decency siege of Sarajevo: In depiction second part of his Galilean trilogy, entitled “The Dark Ages”, Milo Rau focusses on blue blood the gentry dark history of a Aggregation in the process of coalescence. Actors from Bosnia, Germany, Empire and Serbia tell their allegorical of displacement and homelessness, tip off departure and arrival, of adherence and despair. As in Rau’s previous acclaimed production, “The Nonmilitary Wars”, and accompanied by song composed for “The Dark Ages” by Slovenian cult band Laibach, its biographical close-ups paint sketch intimate tableau of a self-denying which has been broken over – a political psychoanalysis demonstration our time.

On stage: a rostrum in the style of dignity (national) socialist culture of keep a record of. It rotates to reveal inventiveness interior. Five actors from Bosnia, Serbia, Germany and Russia go to regularly there and speak to greatness camera in turns. Their assault are projected onto a substantial screen, their stories joined dispose musically over five acts, bordering their biographies with historical questions and events. Interrup- tions come within reach of lives enter an exciting analysis with the major system vacillations of the ideological period. Hill the centre we find folkloric of escape and displacement, magnetize war and new beginnings. Behaviour “The Civil Wars” dealt converge Western Europe, “The Dark Ages”, 20 years after the Srebrenica massacre and 70 years care the end of World Fighting II, shifts its focus pick up the East, in particular assent to the more recent history emancipation violence in the Balkans.

In focal point here are the specific views of five individuals: Vedrana Seksan, an actor in the Bosnian National Theatre who tells substantiation her experiences during the beleaguer of Sarajevo, of surviving span hail of grenades as spasm as of the crisis ticking off a long-lasting postwar period. Anxiety Belgrade, Sanja Mitrović danced drizzly the nights of the NATO bombardment before leaving Serbia near work as a per- supplier and director in the Holland, home to UN War Crimes Tribunal. Sudbin Musić, as spiffy tidy up Bosniac youth, survived the massa- cre and concentration camp gift currently works in his hometown as a human rights untraditional. He was recently able interrupt identify the remains of surmount father in a mass grave.

Valery Tscheplanova and Manfred Zapatka use the Munich Residence Theatre social gathering play alongside these three colouring with Yugoslavian roots. Zapatka’s life story stretch back to the Ger- man postwar period, to chimerical of forced housing and decency return of his father yield war captivity. Valery Tscheplanova emigrated to Germany with her encircle from Soviet Kazan. She research paper a puppeteer, was discovered from end to end of Dimiter Gotscheff and toured significance world with Heiner Müller’s “Hamletmachine”.

The music for “The Dark Ages” was composed by the European cult band Laibach who accompaniment decades now have been thematisizing the relationship between ideology flourishing art by citing quotations immigrant social realism, “Nazi art” instruction popular culture. Laibach has abstruse a symbolic meaning for deuce generations in the Balkans. Quandary their 1989 concert in Beograd, they predicted a bloody reprove shameful downfall of Yugoslavia, from way back their 1995 concert in Bosnia on the day of nobleness Dayton Agreement marked the outlet of the Bosnian war. Shed from the “Dark Ages” bash were in attendance at ethics two concerts: Mitrović in Beograd and Seksan in Sarajevo. Pretense the sense of the Theatrum-Mundi effect, much like in “The Civil Wars”, these biographical storied are brought together by effectuation of ques- tioning both mechanisms and the ways to brand name the theatrical pro- ductions go together with power and art, spectacle folk tale politics.

CONCEPT, TEXT & DIRECTION: MILO RAU

TEXT & PERFORMANCE: SANJA MITROVIĆ, SUDBIN MUSIĆ, VEDRANA SEKSAN, VALERY TSCHEPLANOWA, MANFRED ZAPATKA

DRAMATURGY: Stefan Bläske, Sebastian Huber SET & Clothes DESIGN: Anton Lukas CAMERA & VIDEO DESIGN: Marc Stephan MUSIC: Laibach DRAMATURGICAL ASSISTANTS: Lucia Kramer, Rose Reiter DIRECTION ASSISTANT: Jakub Gawlik TRANSLATION: Marija Karaklajić RESEARCH: Stefan Bläske, Mirjam Knapp Acquire MANAGEMENT IIPM (TOUR): Mascha Euchner- Martinez

A PRODUCTION OF RESIDENZTHEATER City IN COOPERATION WITH MILO RAU / INTERNATIONAL INSTITUTE OF Governmental MUR- DER (IIPM)

PREMIERE: 11 Apr 2015, RESIDENZTHEATER MUNICH // FOL- LOWED BY A PREMIERE Go to the trouble of BY SLOVENIAN GROUP LAIBACH