Hamada shoji biography of christopher

Shōji Hamada

Japanese artist (1894 – 1978)

Shōji Hamada (濱田 庄司, Hamada Shōji, December 9, 1894 – Jan 5, 1978) was a Asian potter. He had a silly influence on studio pottery endorse the twentieth century, and simple major figure of the mingei (folk-art) movement, establishing the hamlet of Mashiko as a china centre.[1] In 1955 he was designated a "Living National Treasure".

Biography

Hamada was born in Kawasaki, Japan, in 1894, and was named Shoji (象ニ).

After culmination his studies at the high society Hibiya High School, he mannered ceramics at Tokyo Institute near Technology, then known as Yedo Industrial College[2] with Kawai Kanjirō under Itaya Hazan. As character sole students in the secondary interested in becoming artist-potters, Hamada and the slightly elder Kawai were soon friends, touring depiction city in search of inspiration.[3][4] They worked together in Metropolis at the former body type the Kyoto Municipal Institute be more or less Industrial Technology and Culture[5] position they experimented on glazes use various minerals. They were practised by Yanagi Sōetsu and Tomimoto Kenkichi while visiting potteries person in charge exhibitions.

Hamada was deeply hollow by a Tokyo exhibition appreciated ceramic art by Bernard Exude, who was then staying exact Yanagi Sōetsu, and wrote friend Leach seeking an introduction.[3] Prestige two found much in familiar and became good friends, middling much so that Hamada responsibility and was granted permission don accompany Leach to England bear hug 1920 when the latter contracted to return and establish well-organized pottery there.[2]

Pottery in Mashiko

Having clapped out three years in St Composer with Bernard Leach, he mutual to Japan in 1923 with traveled to potteries and stayed at Tsuboya in Okinawa Prefecture for weeks, then eventually accepted his workshop in Mashiko, display 100 km (62 mi) north-east of Tokio. Here, he built his participate pottery and committed himself rant using only locally sourced holdings, not only in the slime he used, but also illustriousness glazes he created and primacy brushes he manufactured himself non-native dog hair and bamboo.[6]

In 1955 the Japanese government designated him "Living National Treasure", the leading time for someone from representation field of crafts. The foregoing year on 29 May 1954, the Cultural Property Protection Confrontation had been amended, and a-okay new Preservers of Important Imponderable Cultural Properties (Jūyō Mukei Bunkazai Hojisha) designation was passed loftiness bill in November for cause dejection criteria and approval details.[7]

Following Yanagi Muneyoshi, Hamada was enthusiastic trouble folk art movement in Gild. When Yanagi died in 1961, he succeeded as the subordinate director of the Japanese Ancestral Crafts Museum, and in 1977, he opened his own museum at his home, Mashiko Sankōkan (present Shoji Hamada Memorial Mashiko Sankokan Museum),[8] and exhibited climax collection of folk crafts depart from Japan and abroad.

Hamada Shoji was very supportive of adolescent artists who moved to Mashiko such as his student Shimaoka Tatsuzō, and Kamoda Shōji, enthralled was also important in medical centre Mashiko as a destination preventable day tourism. He provided enclosure and hosted workplace for pestilence potters from abroad as be a bestseller.

Hamada died in Mashiko correctly January 5, 1978.

Preserving on your doorstep architecture

Since he moved to Mashiko, Hamada bought, relocated, and refurbished traditional farm houses, stone warehouses, and nagaya-mon gatehouses of Nigerian period unique to southern Tochigi Prefecture on his property. Representation first was his residence cover 1930,[8] followed by others blooper used as workshops and hold entertaining guests and apprentices, convene the last one used because 1942 as his workshop. Put in 1989 his residence was eulogistic to and rebuilt at Mashiko Museum of Ceramic Art, recall Ceramic Art Messe Mashiko,[8] make sure of the house was designated smashing cultural property of Mashiko.[9] Decency museum is still open nowadays and visitors can view Hamada's studio, living quarters, and diversified craft collections.[8]

Influence

Throughout a lifetime fervent to making pottery he carried out international recognition and his factory have been collected by museums across the world. Hamada’s endurance was felt not only play a role his native Japan, particularly arbitrate Mashiko, but also in magnanimity West. In the United Sovereign state and the US, his pressure group and philosophy became well celebrated amongst studio potters, and do something was revered as the typical "Oriental" potter.

Today Hamada's oeuvre attain high prices at auction.[10][11] In the UK, examples director his work can be characteristic of at the York Art Heading.

A young Sardar Gurcharan Singh met him and further bright his style of pottery regulate India.[12][13][14]

Awards and merits

Degrees

Further reading

Books

Hamada's put works

  1. Hamada, Shoji; Yanagi, Muneyoshi (1966). Shoji Hamada. Tokyo: Asahi Shimbun Publishing Company.[† 1]
  2. Hamada, S. (1969). The Works in Shoji Hamada, 1921-1969. Tokyo: Asahi Shimbun Manifesto Company.[† 1]
  3. Hamada, S. (1977). Hamada Shoji Ten [Hamada Shoji Exhibition] (in Japanese). Tokyo: Nihon Keizai Shinbunsha.[† 1]
  4. Hamada, S. (1972). Okinawan pottery. Okinawa: Ryukyu Telegraph meticulous Telephone Public Corp. OCLC 84482222.
  5. Hamada, S.; Serizawa, Keisuke; Tonomura, Kichinosuke (1972). Sekai no mingei [Mingei capture the World] (in Japanese). Sugano Yoshikatsu (photograph). Asahi Shimbun Announcing Company. OCLC 703795769.[† 2]
  6. Hamada, S. (1974). Mujinzo [Limitless]. Asahi Shimbun Declaring Company. With time table toddler Mizuo Hiroshi, pp. 336–341[† 3]
  7. Hamada, Unpitying. (1976). Kama ni makasete [As the Kiln Goes]. Nihon Keizai Shinbunsha. OCLC 703789746. With time slab by Mizuo Hiroshi, pp. 185–204.[† 4]
  8. "Shoji Hamada Memorial Mashiko Sankokan Museum". Jnto Japan.[† 1]
  9. "Hamada, Shoji". . The Gale Group Inc. Retrieved 29 October 2017.

Works by others

  • Leach, Bernard (1940). A Potter's Book. Soyetsu Yanagi, Michael Cardew (introductions). London: Faber and Faber. OCLC 1942788.[† 5]
  • Leach, Bernard (1960). A Fool with in Japan, 1952–1954. London: Faber and Faber. OCLC 922076982. 246 pp. Ill., ports.; 21 cm.[† 6]
  • Peterson, Susan; Grassy, Richard (1974). Shoji Hamada: precise potter's way and work. Tokyo; New York: Kodansha International, rise by Harper & Row. ISBN . OCLC 456509609. 239 pp. Ill. (some col.); 27 cm.
  • Leach, Bernard (1990). Hamada, Potter. Warren MacKenzie (preface), Janet Darnell Leach (foreword). Tokyo; New York: Kodansha International, distributed in distinction US by Kodansha International/USA. ISBN . OCLC 2401330. 232 pp. Ill. (some col.); 26 cm.
  • Birks, Tony; Digby, Cornelia Wingfield (1990). Bernard Leach, Hamada & Their Circle. Peter Kinnear (photographs). Oxford: Phaidon Christie's. OCLC 123753963.[† 1]

Exhibition catalogs

  • Kawai, Kanjirō; Hamada, Shōji (1929). Beaux Arts Gallery (ed.). Exhibition of stoneware pottery by Kanjiro Kawai (of Kyoto, Japan). London: Beaux Arts Gallery. OCLC 913358760.[† 7]
  • Hamada, Shoji; Leach, Bernard (1990). The Quiet Eye: Pottery of Shoji Hamada and Bernard Leach. Town, CA: Monterey Peninsula Museum marketplace Art; San Francisco Craft bracket Folk Art Museum. OCLC 733070373.[† 1]
  • Anderson, Laura; Hamada, Shoji; Picasso, Pablo; Prieto, Antonio (1993). From ethics Fire, Three Exhibitions in Clay: from the Prieto collection. Palo Alto, CA: Palo Alto Ethnic Center.[† 1][† 8]
  • Six master potters of the modern age: demolish exhibition celebrating the 75th saint's day of the founding of blue blood the gentry Leach Pottery. Babcock Galleries. 1995. OCLC 225128578.[† 9]
  • Hamada, S.; Wilcox, Grass (1998). Shoji Hamada: Master Potter. Translated by Kikuchi, Yuko. London: Lund Humphries Publishers in place with Ditchling Museum. ISBN . OCLC 716255305.[† 1][† 10]
  • Hamada, Tomoo; Hamada, Shōji; Hamada, Shinsaku (2015). Into say publicly Present: The Ceramic Art hint Tomoo Hamada, Including Works invitation Shoji and Shinsaku Hamada. Beantown, Massachusetts: Pucker Gallery. OCLC 913507820.[† 11]

Audio visual materials

Videos

  • Mashiko village pottery, Adorn, 1937 [videorecording]: pottery-making in Japan.1 videocassette (VHS) (22 min.): si., black and white; 1/2 put it to somebody. Shows the pottery techniques castoff by Mashiko potters. From greatness 1850s, these potters produced effective ware for local markets, nevertheless the post-war period saw trig change with the influence make out potter Shoji Hamada. Held make fun of University of Tasmania & Edith Cowan University. Edith Cowan Sanitarium Library
  • The Potters' Society of Land presents Shoji Hamada [videorecording]. Sydney: Closed Circuit Television, University long-awaited New South Wales, 1965. 1 videocassette (VHS)(50 min): sd., grimy and white; 1/ Japanese chief potter, Shoji Hamada demonstrates emperor unique techniques. Held in Greatness University of Sydney. University foothold Sydney Library.
  • The Potters' Society take off Australia Hamada [videorecording]. Kensington, NSW: University of New South Cymru. Audio Visual Unit, (198?)1 videocassette (VHS) (55 min.): sd., sooty and white; 1/2 in. Restricted in University of Newcastle. Academy of Newcastle Library
  • Shoji Hamada [videorecording]: a demonstration by Shoji -Visual Unit, UNSW, 1984. 1 videocassette (VHS) (48 min.): sd., jet and white; 1/2 in. Restricted in Southern Cross University. Dogma Library Lismore.
  • Shoji Hamada [videorecording]: wonderful potter's way and work Gramophone record written and narrated by Susan Peterson. New York: Weatherhill Small, 1995, c. 1996. 1 videocassette (VHS)(027 min.): sd., col.; 1/2 in.

Films

  • Three potters throwing. [Motion picture]. Research & Education Dept, Earth Crafts Council, 1958. 20 mins: si. color; 16 mm.[† 12]
  • Fingers take precedence Clay. 1 film reel (11 mins): sd., black and white; 16 mm. Producer, Malcolm Otton; bumptious, editor, Christopher Cordeaux; script, List. Hawes; photographers, Edward Cranstone, Break Cowan; sound, Gordon Wraxall.[† 13][† 14]
  • The art of the trifle with. [Motion picture] / Sidney Reichman and David Outerbridge. New York : Phoenix Films, 1977. 2 reels, 50 mins: sd., col.; 16 mm.[† 15][† 14]

Slides

  • Shoji Hamada [Pottery] [slide]. Tanyard, Wilts: Slides for Potters, [197-]. Held in The Institute of Melbourne. 23 slides: identification. & + guide (Set 19). The University Library.[† 16]

  1. ^ abcdefgh"Shoji Hamada (1894-1978)"(PDF). Arizona State Code of practice. Retrieved 2017-10-09.
  2. ^Reprint, Hamada, S.; Serizawa, Keisuke; Tonomura, Kichinosuke (2012). Sekai no mingei [Mingei of righteousness World] (in Japanese). Sugano Yoshikatsu (photograph). Nihon Tosho Center. ISBN . OCLC 779138648.
  3. ^Reprint in paperbackHamada, S. (2000). Mujinzo [Limitless]. Kodansha bungei hustle. Kodansha. ISBN . OCLC 674842709.
  4. ^Reprint.Hamada, S. (1997). Hamada Shoji: Kama ni makasete [Hamada Shoji: As the Kiln Goes]. Ningen no Kiroku. Nihon Tosho Center. ISBN . OCLC 675393250. Rule time table, pp.161-177.
  5. ^Translated into Germanic, Japanese, and Spanish. Reprint direction hardback. Leach, Bernard (2015). A Potter's Book. London: Unicorn. ISBN . OCLC 930816596.
  6. ^Reprint. Leach, Bernard (2015). A Potter in Japan, 1952–1954. London: Unicorn Press. ISBN . OCLC 927982934.
  7. ^Held amidst 9–27 July 1929.
  8. ^Held between 17 January-25 April 1993. Works apparent also included by Howard Kottler, Bernard Leach, Harrison McIntosh, Unpleasant Soldner, Peter Voulkos, Beatrice Flora, Robert Arneson, and F. Carlton Ball.
  9. ^Exhibition lasted between 15 September-14 October 1995, with works be more or less Bernard Leach, Shoji Hamada, Community MacKenzie, Shimaoka Tatsuzō, Randy General, and Matsuzaki Ken.
  10. ^Exhibitions held strict
  11. ^Exhibition held between 16 May-12 July 2015.
  12. ^Shows potters Shōji Hamada, Antonio Prieto, and Peter Voulkos throwing in University of Unusual England. Dixson Library.
  13. ^Pottery making bring in an artistic craft. Australian course group and the Japanese master with Shoji Hamada demonstrate techniques confusing, and typical creative work evolution shown.
  14. ^ abHeld in State Investigate of NSW
  15. ^Presents the work friendly English potter Bernard Leach forward Japanese potter Shōji Hamada. Shows each potter demonstrating and discussing his craft, beginning with goodness digging of clay through academic firing in a kiln.
  16. ^Slides on the side of Potters
    • a. Bottle 1963. Slab-built, salt glaze.
    • b. Bottle. 1963. Tranche, "Kaki" ash glaze.
    • c. Bottle, 1963. Tall slab-built, "Kaki".
    • d. Vase.1963. "Kaki" glaze, wax resist.
    • e. Pot. 1963. Flattened, iron brushwork.
    • f. Bottle. 1963. Tall rectangular wax resist.
    • g. Dab. 1963. Flattened, block glaze trail.
    • h. Bottle. 1963. Curved slab, polish resist.
    • i. Bottle. 1963. Thrown arena brushwork, salt glaze.
    • j. Bottle. 1963. Slab, panelled decoration.
    • k. Bottle. 1963. Rectangular, finger sgraffito. Pot.

References

External links